A creation from the collection
Drawn to a creation?
You would like to know more about a creation, its materials, how it is worn or its availability.
Ask about it

Private commissions
Starting from your wishes, Brendo Delmon imagines a one-of-a-kind handbag. A colour, a place or a memory can be its starting point.
Write to the MaisonA creation from the collection
You would like to know more about a creation, its materials, how it is worn or its availability.
Ask about it
A creation project
You are considering a bag around a colour, a use, a memory or an intention.
Introduce a project
Our approach
Attentive listening, an expert eye and a commitment to bringing to life a piece that resembles you.

A creation from the collection draws you, a colour stays with you or an idea takes shape. Share what makes you want to write to the Maison.
We examine the forms, the materials and the possibilities of making. Depending on the project, this research draws on drawings, samples or trials.
The chosen characteristics, the price and the timeline are set out before the commission is confirmed.
The creation is made according to the agreed project. Its presentation and handover are arranged with you.
An example of creation
A wearable floral architecture. Thousands of glints, combining stone setting, painting on material, appliqués, glass beads and cabochons.
A piece from the Le Jardin collection.
Discover its story


You do not need a fully defined idea. We are here to listen and to guide you.
You may write about a creation from the collection or share a more open-ended intention. You do not need a drawing to make an initial enquiry.
Please mention this in your message. The possibility, location and arrangements are confirmed directly with the House.
They depend on the piece and the nature of the project. The House clarifies them during the conversation, before any agreement.
No. An initial enquiry opens a conversation; it is not an order or reservation.
The work summons its crafts. The Maison practises six — leatherwork, embroidery, featherwork, setting, painting on material, arts of fire — and lets the piece dictate those that will bear it. The cartel records them.
It happens that a stone, a leather, an inherited thread enters the conversation. The Maison holds them to the light — their origin, their condition, their aptitude to the gesture — then decides, with the author of the project, whether they may bear the work.
Each work leaves with its handwritten certificate, its care booklet, and the Maison's commitment to repair its gestures for as long as it exists. The matter, in turn, keeps the guarantees of the law.
A meeting opens — in Paris, at the atelier or in a discreet setting chosen together. An hour often suffices. The Maison listens, notes what surfaces, sometimes shows a material or a drawing. A next step is proposed, then, in writing.
Write to the Maison
A first conversation, without commitment, to imagine together what resembles you.
Begin my request